Double bill of futuristic horror films. In 'The Purge' (2013), Ethan Hawke stars as the head of a family forced to fight for their lives. With crime in America spiralling out of control and prison populations soaring, the government of the day implements a drastic new initiative to address the problem. For a 12-hour period once a year, all crime, including murder, is legal, as the police and other emergency services stand down for the night, allowing the population to regulate itself. 'The Purge' is deemed a success due to plummeting crime levels and record low unemployment figures. But after placing their upmarket home under its yearly lockdown, James and Mary Sandin (Hawke and Lena Headey) and their family find themselves under siege from a crazed group of masked killers when their teenage son (Max Burkholder) offers shelter to the mob's terrified prey. In 'The Purge: Anarchy' (2014), following on from events in the previous film, a year has passed and the time for society to purge itself of all murderous and violent urges has come back around. Desperate to get home to their children before 'The Purge' commences, a young couple (Zach Gilford and Kiele Sanchez) find themselves stranded when their car breaks down, leaving them at the mercy of a mob of masked attackers. Meanwhile, a man (Frank Grillo) looking to avenge the murder of his son becomes the reluctant protector of a mother and daughter (Carmen Ejogo and Zoe Soul) on the run. Can they all survive the night?

New York Times BESTSELLER A moving, unflinching memoir of hard-won success, struggles with addiction, and a lifelong mission to give back - from the late iconic actor beloved for his roles in The Wire, Boardwalk Empire, and Lovecraft Country. When Michael K. Williams died on 6 September 2021, he left behind a career as one of the most electrifying actors of his generation. From his star turn as Omar Little in The Wire to Chalky White in Boardwalk Empire to Emmy-nominated roles in HBO's The Night Of and Lovecraft Country, Williams inhabited a slew of indelible roles that he portrayed with a rawness and vulnerability that leapt off the screen. Beyond the nominations and acclaim, Williams played characters who connected, whose humanity couldn't be denied, whose stories were too often left out of the main narrative. At the time of his death, Williams had nearly finished a memoir that tells the story of his past while looking to the future, a book that merges his life and his life's work. Mike, as his friends knew him, was so much more than an actor. In Scenes from My Life, he traces his life in whole, from his childhood in East Flatbush and his early years as a dancer to his battles with addiction and the bar fight that left his face with his distinguishing scar. He was a committed Brooklyn resident and activist who dedicated his life to working with social justice organisations and his community, especially in helping at-risk youth find their voice and carve out their future. Williams worked to keep the spotlight on those he fought for and with, whom he believed in with his whole heart. Imbued with poignance and raw honesty, Scenes from My Life is the story of a performer who gave his all to everything he did - in his own voice, in his own words, as only he could. 'Immensely inspiring and candid' - Publishers Weekly 'Soul-baring' - The Washington Post 'a gripping, revelatory memoir' - NPR 'William's cool rasp leaps off every page, his story told in the direct yet impassioned language that defined his greatest characters' - Vulture

The New York Times Bestseller ONE OF THE BEST BOOKS OF THE YEAR: The New York Times, NPR, The Root A moving, unflinching memoir of hard-won success, struggles with addiction, and a lifelong mission to give back. When Michael K. Williams died on 6 September 2021, he left behind a career as one of the most electrifying actors of his generation. From his star turn as Omar Little in The Wire to Chalky White in Boardwalk Empire to Emmy-nominated roles in HBO’s The Night Of and Lovecraft Country, Williams inhabited a slew of indelible roles that he portrayed with a rawness and vulnerability that leapt off the screen. Beyond the nominations and acclaim, Williams played characters who connected, whose humanity couldn’t be denied, whose stories were too often left out of the main narrative. At the time of his death, Williams had nearly finished a memoir that tells the story of his past while looking to the future, a book that merges his life and his life’s work. Mike, as his friends knew him, was so much more than an actor. In Scenes from My Life, he traces his life in whole, from his childhood in East Flatbush and his early years as a dancer to his battles with addiction and the bar fight that left his face with his distinguishing scar. He was a committed Brooklyn resident and activist who dedicated his life to working with social justice organisations and his community, especially in helping at-risk youth find their voice and carve out their future. Williams worked to keep the spotlight on those he fought for and with, whom he believed in with his whole heart. Imbued with poignance and raw honesty, Scenes from My Life is the story of a performer who gave his all to everything he did – in his own voice, in his own words, as only he could. 'Immensely inspiring and candid' - Publishers Weekly 'Soul-baring' - The Washington Post 'A gripping, revelatory memoir' - NPR 'William's cool rasp leaps off every page, his story told in the direct yet impassioned language that defined his greatest characters' - Vulture

When Michael K. Williams died on 6 September 2021, he left behind a career as one of the most electrifying actors of his generation. From his star turn as Omar Little in The Wire to Chalky White in Boardwalk Empire to Emmy-nominated roles in HBO's The Night Of and Lovecraft Country, Williams inhabited a slew of indelible roles that he portrayed with a rawness and vulnerability that leapt off the screen. Beyond the nominations and acclaim, Williams played characters who connected, whose humanity couldn't be denied, whose stories were too often left out of the main narrative. At the time of his death, Williams had nearly finished a memoir that tells the story of his past while looking to the future, a book that merges his life and his life's work. Mike, as his friends knew him, was so much more than an actor. In Scenes from My Life, he traces his life in whole, from his childhood in East Flatbush and his early years as a dancer to his battles with addiction and the bar fight that left his face with his distinguishing scar. He was a committed Brooklyn resident and activist who dedicated his life to working with social justice organisations and his community, especially in helping at-risk youth find their voice and carve out their future. Williams worked to keep the spotlight on those he fought for and with, whom he believed in with his whole heart. Imbued with poignance and raw honesty, Scenes from My Life is the story of a performer who gave his all to everything he did-in his own voice, in his own words, as only he could.

José Padilha directs this big-budget remake starring Joel Kinnaman as the part-man, part-machine police officer known as RoboCop. In the year 2028, multinational company OmniCorp are leading the way in robot technology, with machines serving in the military around the world. Eager to increase OmniCorp's profits, CEO Ray Sellars (Michael Keaton) wants to advance to the next level by developing a part-robot police officer. When Detroit cop Alex Murphy (Kinnaman), a devoted family man, is critically wounded, Sellars seizes his chance to use him in his project and RoboCop is created at the hands of scientist Dr. Dennett Norton (Gary Oldman). The robot has been designed to remain under the control of the company but they have failed to take into account the human factor and the man who exists inside the machine begins to develop the ability to override their system... The film also stars Samuel L. Jackson and Abbie Cornish.

One of television's most critically acclaimed programmes, The Wire addresses the seedy side of Baltimore’s finest, looking into money, drugs, politics and murder.

Told from the point of view of both the police and their targets, the series captures a universe of subterfuge and surveillance, where easy distinctions between good and evil, and crime and punishment, are challenged at every turn.

A study on urban life in one of America’s toughest cities, each season of The Wire has focused on a different aspect of Baltimore, starting with the police force and the drug trade, then moving on to City Hall, the education system and concluding with the media.